Best 13 Font for Resume in – Oct 2022

With so many options, choosing the best font for a resume can be difficult at times. When an employer reads your resume for the first time, they will typically scan it for 20–30 seconds. Every week, recruiters and hiring managers spend countless hours skimming through an endless stream of resumes sent to them.

Choosing a simple, easy-to-read font and size is critical to making a good first impression. A professional font demonstrates your professionalism and improves readability, allowing your resume to rise to the top of the pile.

Best Fonts for Your Resume

  • Cambria
  • Garamond
  • Didot
  • Georgia
  • Helvetica
  • Arial
  • Book Antiqua
  • Trebuchet MS
  • Tahoma
  • Verdana
  • Times New Roman
  • Lato
  • Avenir Next

Cambria

Cambria is a Microsoft-commissioned transitional serif typeface that comes with Windows and Office. Jelle Bosma, a Dutch type designer, created it in 2004 with assistance from Steve Matteson and Robin Nicholas.

Jelle Bosma, a Dutch type designer, created it in 2004 with assistance from Steve Matteson and Robin Nicholas. It is intended to be a serif font suitable for body text, highly readable when printed small or displayed on a low-resolution screen, and with consistent spacing and proportions.

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Garamond

Garamond is a family of numerous serif typefaces named after Claude Garamond, a sixteenth-century Parisian engraver who was generally spelled Garamont during his lifetime. Popular Garamond-style typefaces are frequently used for book printing and body text.

Garamond’s types are based on an influential typeface cut in 1495 for Venetian printer Aldus Manutius by his punchcutter Francesco Griffo, and are in what is now known as the old-style of serif letter design, which features letters with a relatively organic structure resembling handwriting with a pen but with a slightly more structured, upright design.

Didot

Didot is a family of fonts. It is derived from the illustrious French printing and type manufacturing Didot family. The term “modern” or “Didone” refers to this classification.

The most well-known Didot typefaces were created between 1784 and 1811. In Paris, Firmin Didot (1764–1836) cut the letters and cast them in type. Pierre Didot (1760–1853), his brother, used the types in printing. His 1818 edition of Voltaire’s La Henriade is regarded as his magnum opus.

Georgia

John Baskerville’s experiments with increasing stroke contrast and a more condensed armature inspired the typeface. The Didot family developed a high contrast typeface with increased stress concurrently with similar faces developed in Italy by Giambattista Bodoni.

Georgia is a serif typeface designed in 1993 for the Microsoft Corporation by Matthew Carter and hinted by Tom Rickner. It was designed to be a serif typeface that was elegant but legible when printed small or on low-resolution screens. The typeface is inspired by nineteenth-century Scotch Roman designs and was based on Carter’s designs for a print typeface at the time he was contacted by Microsoft; this typeface would be released the following year under the name Miller. The name of the typeface was derived from a tabloid headline, “Alien heads discovered in Georgia.”

Helvetica

Helvetica, or Neue Haas Grotesk, is a widely used sans-serif typeface designed in 1957 by Max Miedinger and Eduard Hoffmann of Switzerland.

It is a neo-grotesque design inspired by the famous Akzidenz-Grotesk typeface from the nineteenth century (1890s) and other German and Swiss designs. Its use became synonymous with the International Typographic Style, which emerged from the work of Swiss designers in the 1950s and 1960s, and it quickly became one of the most popular typefaces of the mid-twentieth century.

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Numerous variants have been released over the years in a variety of weights, widths, and sizes, as well as matching designs for a variety of non-Latin alphabets. Helvetica’s original design features include a high x-height, stroke terminations on horizontal or vertical lines, and unusually close spacing between letters, all of which contribute to the font’s dense, solid appearance.

Arial

Arial, which is occasionally marketed or displayed in software as Arial MT, is a neo-grotesque sans-serif typeface and family of computer fonts. This fonts are included with all versions of Microsoft Windows starting with Windows 3.1, as well as with a few other Microsoft software applications, Apple’s macOS, and a large number of PostScript 3 computer printers. Robin Nicholas and Patricia Saunders designed the typeface for Monotype Typography in 1982.

It was designed to be metrically identical to the popular typeface Helvetica, with identical character widths, so that documents designed in Helvetica could be displayed and printed correctly without the need to purchase a Helvetica license.

Book Antiqua

This is a roman typeface inspired by Italian Renaissance pen-drawn letters. Due to its distinctive and gentle appearance, it can be used to impart a different feel to a document than the more geometric designs found in the majority of text faces.

It is also useful for short lines, such as those found in letterheads and compliments slips. Its lovely italic has a plethora of applications.

Read More about: High Tech Fonts

Trebuchet MS

Trebuchet MS is a humanist sans-serif typeface designed in 1996 by Vincent Connare for Microsoft Corporation. It is named after the medieval siege engine known as the trebuchet.

Connare was inspired to create the name by a puzzle question he overheard at Microsoft headquarters: “Is it possible to construct a trebuchet capable of launching a person from the main campus to the new consumer campus about a mile away? Is it mathematically possible and how? ” Connare “felt that was an excellent name for a font that propels words across the Internet “‘.

Trebuchet MS replaced MS Sans Serif and Tahoma as the font used for window titles in the Windows XP default theme. As of 2009, it remained one of the most popular body text fonts on websites after being released for free as part of Microsoft’s core fonts for the Web package.

Tahoma

Matthew Carter designed Tahoma, a humanist sans-serif typeface, for Microsoft Corporation. It was first distributed by Microsoft as a standard font alongside Carter’s Verdana in the initial release of Windows 95.

While Tahoma is similar to Verdana in appearance, it has a slimmer body, smaller counters, much closer letter spacing, and a more complete Unicode character set. Carter began by designing Tahoma as a bitmap font and then “carefully wrapped” TrueType outlines around it.

Carter based the bold weight on a double pixel width, which results in a weight that is closer to heavy or black. Unlike some other sans-serif typefaces, including Arial, the uppercase “I” (eye) is distinguishable from the lowercase “l” (ell), which is critical in technical publications. Since 2010, Ascender Corporation has offered Tahoma in italic and small caps styles.

Verdana

Verdana is a humanist sans-serif typeface designed by Matthew Carter for Microsoft Corporation, with hand-hinting by Thomas Rickner while he was still at Monotype.

Virginia Howlett of Microsoft’s typography group recognized the need for such a typeface and commissioned Steve Ballmer to create it. The name “Verdana” is derived from the words verdant (something green) and Ana (Howlett’s eldest daughter’s given name).

Times New Roman

Times New Roman is a sans-serif font. It was commissioned by the British newspaper The Times in 1931 and designed by Stanley Morison, artistic adviser to Monotype’s British branch, in collaboration with Victor Lardent, a lettering artist in The Times’ advertising department. It has grown to be one of the most widely used typefaces of all time, being installed on the majority of desktop computers.

Lato

Lato is a humanist sans-serif typeface designed by Łukasz Dziedzic. It debuted in 2015. The word “Lato” translates as “summer” in Polish.

Lato has appeared in a variety of physical publications, including information signs and campaign billboards. It is the primary font used on iCollege, the primary learning management system at Georgia State University.

Avenir Next

The Avenir Next typeface is a magnificent design by renowned graphic designer Adrian Frutiger. It is the largest sans serif typeface family. It was released in 1988 and is primarily used for graphic design work.

Since its release, numerous corporations and designers have incorporated this incredible typeface into their websites and other designs. It immediately gained popularity among designers for the right reasons.